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NEW DIRECTIONS:
August 2003
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Our illustration is of the central octagon in Ely Cathedral. The sacrist, Alan de Walsingham, and his carpenter, probably William Hurley, were given the opportunity to construct this unique feature by the collapse of the central tower in 1322. The octagon takes the entire breadth of the nave, transepts, aisles and choir as its base, rising on four large and four small arches, Above it the wooden lantern is set with its angles against the faces of the stone walls. The effect, writes Nikolaus Pevsner, is ‘a delight from beginning to end for anyone who feels for space as strongly as for construction.’ |
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The
Gospel of Hope
Bishop Paul Richardson on the good
news of the Church
Wrong
Rites
Bishop Edwin Barnes on The strange
world of modern anglican blessings
Truth
& Tolerance
The Bishop of Ebbsfleet's Pastoral
Letter for June 2003
Idle Curiosity
What Butler never saw
Diocesan
Power Play
by NT
Beyond
Belief
Robbie Low suggest we have been
looking in the wrong direction
Devotional
War & Peace: Aphraphat and Ephraim
A
Note to Nazir-Ali
by GK
Anglican Devotion:
The Sermon
by Arthur Middleton
Summer
Science: Simple theology in the garden
Anthony Saville
Children
in church: The cruelty of a lack of discipline
by Hugh Baker
A
Good Threshing
Patrick Henry Reardon on a powerful but unpopular image
An Anatomy of Error VIII
Roots
Lost Innocence
Anne Gardom goes to Paradise
The Secularist Heresy
If our faith is true, why do so few people believe it?, asks Francis Gardom
Faith
of our Fathers
The sign on earth of your inifinite
holiness
Reforming
the Church
A report from the most recent Reform one-day conference
Untimely
Thoughts
"How old is that?"
An
Encyclical Letter
From the Bishop of New Wiltshire
The
Passing of a Pioneer
The Way We Live Now
Synod
Insider
Summer time in the north
Letter
from America
'Tis the time's plague when madmen lead the blind
Letter
from Australia
What do growing churches look like?
Book
Reviews
Summer reading, some more liturgy and a teaching booklet
Letter from
Malawi
How different it all looks five thousand miles away
Media
Watch
George Austin on a recent production of Taming of the Shrew
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